10,181 Royalty-Free Audio Tracks for "Kobe In The 1920s"

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1938 recording of "Die Stem van Suid-Afrika"Sonando desde nuestros cielos azules, Desde la base más profunda de nuestros océanos Sobre montañas eternas, Cuando los riscos resuenan, Desde nuestras llanuras donde, vagones crujientes, Cortan sus senderos en la tierra, Llama al espíritu de nuestro país, De la tierra que nos vio nacer. A tu llamada no vamos a fallar, Firmes y constantes compareceremos, A tu voluntad de vivir o morir, O Sudáfrica, tierra querida. En nuestro cuerpo y nuestro espíritu, En nuestro fuero interno se mantuvo firme; Y la gloria de nuestro pasado; En la promesa de nuestro futuro, En nuestra voluntad, nuestro trabajo, nuestro esfuerzo, Desde la cuna hasta la tumba No hay tierra que comparte nuestro amoroso, Y hay lazo que pueda esclavizar. Tú nos has dado y te hemos conocido, Que nuestras acciones a todos proclaman Nuestro amor perdurable y servicio Para tu honor y tu nombre. En el calor de oro del verano, En el frío del aire de invierno, En la vida surgiendo de la primavera, En el otoño de la desesperación; Cuando las campanas de boda repiquen, O cuando aquellos a quienes amamos personas sí, Tú nos la sabes de tus hijos Y dost llevarnos a tu corazón En voz alta repiques el coro contestador; Somos tus cosas, y vamos a estar de pie, Ya se trate de la vida o la muerte, para responder Para tu llamada, tierra amada. En tu poder, Todopoderoso, confiando, Hicieron nuestros padres construyen de edad; Fortalecer entonces, oh Señor, a sus hijos Para defenderse, de amar, de explotaciones Que la herencia que nos dieron Para nuestros niños aún pueden ser; Fiadores sólo a la más alta Y antes de que todo el mundo libre. Como nuestros padres confiaban humildemente, Enséñanos, Señor que confiar en ti todavía; Proteja nuestra tierra y guiar a nuestro pueblo En tu camino, para hacer tu voluntad.한국어: 남아프리카의 외침 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리의 먼 곳에 사람이 살지 않는 평원을 통해 무기와 황소의 신음을 함께 하리라. 우리의 사랑의 목소리는 남아프리카 공화국을 향해 커지리라. 우리는 너의 전화에 응답하리라. 우리는 당신이 원하는 것을 제공하리라. 우리는 남아프리카 공화국, 당신을 위해 우리는 죽을 것이다, 살 것이다. 2절 우리의 몸과 마음, 우리의 마음과 영혼은, 과거의 영광에서 우리의 희망이 되리라. 우리의 작품에는, 요람에서 무덤까지 다른 땅과 우리 사랑을 화합하지 않으리라. 다른 건 우리의 자신감이리. 국토 안보부여, 우리는 경의를 표하리. 우아한 너의 이름과 우리의 아프리카너가 최고이리라. 남아프리카 공화국의 아이들이여! 3절 여름의 더위와 겨울의 추위에 우리의 사랑의 봄과 우리 삶의 가을은 교회의 종이에서 나는 소리이리라. 요람의 발에서 우리는 당신의 목소리를 들으니 너는 네 딸이 어디 있는지 알고 있도다. 전화할때 우리는 거부하지 않는다. 영원히 우리와 연락하리라. 생명과 죽음이여, 우리는 남아프리카 공화국에 올 것이리! 4절 자신감에 전능한 우리의 선조는 주님, 우리에가 강을 주소서!라 외쳤으니, 지원을 유지하리라. 우리 조상의 땅, 우리 아이를 위해 영원한 하인들이여, 세계와 붙으리라. 우리 조상들이 믿음을 우리가 믿는 주님을 가르쳐, 우리의 땅과 우리 민족과 함께 당신의 유언대로 다스려라! 영어 한국어 번역 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리가 어느 평원에서 마차를 맞추었는가? 지구의 철도를 자르면, 우리나라의 정신과 통화하리라. 토지는 우리에게 탄생을 주었다. 그대는 우리가 주저하면 안된다는 것을 확고하고 우리가 확고하리라. 그대는 살거나 멸망하리라. 사랑하는 땅, 남아공이여! 2절 우리의 몸과 우리의 영혼에서, 우리의 가장 깊숙한 곳의 마음에 빨리 개최하리라. 그리고 우리의 과거의 영광을, 우리의 미래의 약속이 있으리라. 우리의 작품은 우리의 믿음으로 만들어진 것이리라. 무덤에 크래들에서, 그 주에는 우리의 사랑이 가득한 땅이, 끈끈이같은 자들은 정복하지 못하리라! 너의 젖먹이에 우리를 매개로, 우리는 그대를 알고, 매일 우리의 행동은 모든 선포에 우리의 영원한 사랑과 봉사는 명예와 너의 이름을 그대에게! 3절 뜨거운 여름의 향기와, 차가운 겨울의 기운, 따뜻한 봄의 집과 시원한 가을의 절망은 결혼의 종소리는 굴뚝에서 울리라. 우리가 떠나보내는 새 사람, 그대의 아이들의 마음은 우리를 데려가리라 커다란 종소리여, 우리는 그대가 있으며, 우리가 서한다던, 대답하리. 그대는 생명이냐 죽음이냐, 모르면 사랑하는 땅에 전화를! 4절 그대의 권력에서 전능한 신뢰는, 우리 조상들이 예전에 만들었는가? 사랑하는 변호를 잡으리. 주님의 아들은 강한 탓에 그들이 준 유산으로 우리는 행복하리라. 높은 곳의 보석은, 세상에 자유를 주리라. 우리 조상은 겸허하게 신뢰할 수 있는 것처럼 가르치는 우리 주님은 여전히 하느님을 믿는다. 우리는 우리의 사람과 땅을 안내하리. 우리의 아버지는 할 수 있도다!
Author: Untitled
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Fanfare and the Star-Spangled Banner performed by the Concert Band of the United States Air Force Band of Mid-America. Track 1 from Celebrate America (2004).
Author: Composition: John Stafford Smith; Lyrics: Francis Scott Key; Performance: United States Air Force Band of Mid-America, Concert Band; Recording: United States Air Force
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The Holly and the Ivy with piano accompaniment by Cecil James Sharp
Author: Cecil James Sharp (sound file by Rabanus Flavus)
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Ch'ella mi creda from La fanciulla del West performed by the 561st Air National Guard band of the West Coast and the 562nd Air National Guard Band of the Southwest. Track 6 from Flag of Stars (2010).
Author: Untitled
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The Star-Spangled Banner (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.
Author: Composition: John Stafford Smith; Arrangement: Major Larry L. Lang; Performance: United States Air Force Heritage of America Band, Concert Band; Recording: United States Air Force
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The Chicago Tribune performed by the Concert Band of the United States Air Force Band of the Rockies. Track 11 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]
Author: Untitled
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The Star-Spangled Banner, as played by the United States Air Force Band.
Author: United States Air Force Band
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The Stars and Stripes Forever performed by the Symphony Orchestra of the United States Air Force Band. Track 17 from the band's 2017 album America.
Author: Composition: John Philip Sousa; Performance: United States Air Force Band, Symphony Orchestra; Recording: United States Air Force
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Fanfare, The Star-Spangled Banner performed by the United States Air Force Band of Mid-America. Track 1 from Infinite Horizons (2002).
Author: Composition: John Stafford Smith; Lyrics: Francis Scott Key; Arrangement: Dean W. Smith; Performance: United States Air Force Band of Mid-America; Recording: United States Air Force
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Loch Lomond performed by Southern Aire of the United States Air Force Reserve Band. Track 10 from Glorious Past, Boundless Future (2002).
Author: Composition: traditional; Arrangement: Shane Stanke; Performance: United States Air Force Reserve Band, Southern Aire; Recording: United States Air Force Reserve Band
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Joy to the World performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 4 from the ensembles' 2020 album The Spirit of the Season.
Author: Composition: SSgt Tim Davis and SrA David Duneman, George Frideric Handel; Mixing and Mastering: SSgt Tim Davis; Performance: United States Air Force Band of Mid-America, Starlifter and Roots in Blue
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Believe Me, If All Those Endearing Young Charms performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 13 from Contrasts (2007).
Author: Composition: traditional; Arrangement: Gary Poffenberger; Performance: United States Air Force Band of the Rockies, Stellar Brass; Recording: United States Air Force
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The traditional American song "Shenandoah" performed by the United States Air Force Academy Band. Track 7 from American Fanfare (2009).
Author: Composition: traditional; Performance: United States Air Force Academy Band; Recording: United States Air Force Academy Band
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Christmas Oratorio, BWV 248, Part I: "Jauchzet, frohlocket, auf, preiset die Tage" performed by the Stellar Brass of the United States Air Force Academy Band. Track 13 from Fireworks for Brass and Organ (2007).
Author: Untitled
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America the Beautiful performed by a brass quintet of the United States Navy Band. In the original video, the five performing musicians are dressed in full dress blues. Instrumentation: one French horn, two trumpets, one trombone, and one tuba.
Author: Composition: Samuel A. Ward Lyrics: Katharine Lee Bates Arrangement: Senior Chief Musician Scott Silbert Performance: United States Navy Band, brass quintet Recording: United States Navy
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A slow version of the Marines' Hymn performed by the United States Marine Band, as played at military funerals.
Author: Composition: Jacques Offenbach Performance: United States Marine Band
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w:Quisqueyanos valientes performed by the United States Navy Band
Author: José Rufino Reyes Siancas (lyrics by Emilio Prud'Homme)
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Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.
Author: Untitled
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A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png
Author: Hyacinth (talk)
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Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.
Author: Untitled
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Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.
Author: Untitled
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*4 steps in 19 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 24/19:1 = 252.63 cents. MIDI pitch bend: 108,48
Author: User:Hyacinth
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*4 steps in 15 equal temperament on C = D↑ (Easley Blackwood's notation). Equal-tempered: 24/15:1 = 320 cents. MIDI pitch bend: 51,70
Author: Created by Hyacinth (talk) 20:33, 16 December 2009 using Sibelius 5 with midi pitch bend on ~179,69 on Eb.
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*8 steps in 15 equal temperament on C = F♯↓ (Easley Blackwood's notation). Equal-tempered: 28/15:1 = 640 cents. MIDI pitch bend: 102,76 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Gb.
Author: The original uploader was Hyacinth at English Wikipedia.
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*7 steps in 17 equal temperament on C = F (Easley Blackwood's notation). Equal-tempered: 27/17:1 = 494.12 cents. MIDI pitch bend: 15,62
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on P4 on ~16,62 for 494.13 cents.
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*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67
Author: Hyacinth
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72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals
Author: Created by Hyacinth (talk) 21:01, 16 December 2009 in Sibelius with pitch bend on 8 (3) different instruments.
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*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid
Author: Created by Hyacinth (talk) in Sibelius.
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*3 steps in 19 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/19:1 = 189.47 cents. MIDI pitch bend: 81,60 Created in Sibelius with midi pitch bend on 93 for 190.625 cents rather than 189.48. New version a m2 on 80,92 for 189.453125 cents rather than 189.48.
Author: User:Hyacinth
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Classical algerian music (Sanâa of Tlemcen) Msaddar rasd eddil "rani bi l-afrah", from the first mouvement (msaddar) of the nûba rasd eddil.
Author: Lazaar BEN DALI YAHIA [1894-1940] (Laazar Sliman)
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*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3
Author: Created by Hyacinth (talk) 20:35, 16 December 2009 using Sibelius 5 with midi pitch bend on ~77,57 on F.
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The fourth piece surviving from the fragments of the Nannerl Notenbuch
Author: Untitled
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*7 steps in 19 equal temperament on C = E♯ (Easley Blackwood's notation). Equal-tempered: 27/19:1 = 442.11 cents. MIDI pitch bend: 61,45 on a P4 Created in Sibelius with midi pitch bend on 77 for 440.625 cents rather than 442.12. New version a M3 on 60,77 for 442.08984375 cents rather than 442.12.
Author: User:Hyacinth
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*7 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 27/16:1 = 525 cents. MIDI pitch bend: 0,72
Author: Hyacinth
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00:11
*9 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 29/16:1 = 675 cents. MIDI pitch bend: 0,56
Author: Hyacinth
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Kyrie, Gott Vater in Ewigkeit (Evang. Gesangbuch 178.4)
Author: Melodie: gregorianisch; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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*Two secors on C. 18/52/19 = 233.43 cents.
Author: Created by Hyacinth (talk) 19:33, 13 December 2009 using Sibelius 5 with midi pitch bend on ~88,74 for 233.4 cents.
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*6 steps in 19 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/19:1 = 378.95 cents. MIDI pitch bend: 34,57 Created in Sibelius with midi pitch bend on 89 for 378.125 cents rather than 378.96. New version a m3 on 33,89 for 378.9306640625 cents rather than 378.96.
Author: User:Hyacinth
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The third piece of the surviving fragments of Nannerl's music book.
Author: Untitled
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*5 steps in 19 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 25/19:1 = 315.79 cents. MIDI pitch bend: 7,69 Created in Sibelius with midi pitch bend on 69 for 315.625 cents rather than 315.8. New version a m3 on 6,69 for 315.771484375 cents rather than 315.8.
Author: User:Hyacinth
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53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.
Author: Hyacinth
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Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.
Author: Hyacinth
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04:29
Piano Sonata No. 8 third movement (Rondo: Allegro) 17 KB, 4:25 minutes.
Author: Untitled
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